Interview and Giveaway at HomeschooledAuthors.com

Hey, all! Just thought I'd let you know that Song of the Wren-Falcon and I are being featured this week over on homeschooledauthors.com with an interview and a book review.
Not only that, we're giving away a signed copy of the book, so be sure to pop 'round and enter for your chance to win!

Interview at The Dreaming Hobbit

Hey, all! Just thought I'd let you know that my dear friend and fellow spec-fic writer Emily Tjaden has been gracious enough to interview me about my writing in general and Song of the Wren-Falcon in particular.
Click Here to visit her blog, The Dreaming Hobbit, and read the interview!

Interview with Perpetual Motion author, Bruce Hesselbach

{If you missed yesterday's post, be sure to scroll down and read the book review of Bruce's book, Perpetual Motion.}

MRP:  Welcome to the Writer’s Lair, Bruce! Since the steampunk genre is still fairly new, why don’t you start off by telling us a little about how you came to be interested in it? What made you want to write in this genre?

BH:  I enjoy science fiction and I enjoy history.  Steampunk is an intriguing marriage of these two subjects.  Most of my prior stories were either fantasy or science fiction, set in a fictional world I created.  I had a story that I wrote with a scene in a place similar to Bath, England, and reading about the spas and watering places of Europe made me think that the time immediately prior to World War I would be a great setting for a story.

MRP:  As far as the steampunk genre is concerned, you chose a very unique setting for your story. How did you decide on that location and premise?

BH:  I wanted to get away from using a fantasy world and set my story in the real world.  Most steampunk is set in London during the Victorian age.  I had not heard of a steampunk novel set in Germany and I decided I would write one.   This gave me the opportunity to portray German opinions through Fritz von Lassberg, and thereby give the reader a fresh perspective.

MRP:  I did find it very interesting to see Fritz’s opinions and thought processes through Sybil’s eyes, since we don’t often get to look at those specific ideas through a lens that lacks post-war “twenty-twenty hindsight,” as it were.

Interweaving fictional plots with historical facts can be extremely challenging for a writer, and your story is tied to some pretty significant historical events. What did you find most challenging about it, and how did you handle those challenges?

BH:  This was actually much more fun than work.  Once I picked out a time and place, I could read about many things that I had not heard of before.  One of the points of Dante’s Paradiso is that heaven is a place where you learn things.  I couldn’t agree more.  I learned about the apparition at Knock, Ireland; the history of Meersburg Castle; the battle of Bagamoyo; what Lord Tennyson wore when he went walking on the Downs; what performances Richard Wagner put on when he opened Bayreuth.   It was great fun.  The more I studied about the time and place, the more ideas I had for my story. 

MRP:  I was very appreciative of the attitude that your heroine, Sybil, had towards traditional clothing. Even though I have no problem with a girl wearing pants (provided it is with the permission of her husband or father) I get very tired of reading about heroines’ longings to “rebel” or “buck the system” to wear pants, and their complaining about dresses being so impractical. And yet Sybil has no problem doing anything—even hiking or mountain climbing—in a dress, which I found very refreshing. Tell us a little bit about your thought processes behind that.

BH:   A great example of a Victorian woman not in the least held back by the encumbrance of her dress would be Mary Kingsley, who climbed Mount Cameroon in 1895 while wearing extensive skirts.   This is a 13,760 foot mountain that had only been climbed a couple times before.  She was the first woman to ascend it, and she did it by a new route.  She went in the company of a crew of strong natives.  It poured rain the entire time.  The natives all became exhausted and dropped out.  She finished the ascent alone, an absolutely amazing feat by a fearless woman.  Another time her skirts and petticoats saved her from death, when she fell into a trap set for leopards.  It was a large pit with sharpened ebony spikes at the bottom.  But, due to her Victorian excess of clothing, she escaped what would have been certain death.  Even in our modern times, Sandra Weber wrote a book about Mount Marcy, the highest mountain in the Adirondacks, indicating that she likes to climb it in a long skirt down to her ankles, just as the Victorians did.  My hat is off to her.  Most people have a hard enough time hiking in shorts.  Women used to be called the weaker sex, but I don’t think Mary Kingsley was weaker than anybody.

MRP:  I shouldn’t say so!

Perpetual Motion isn’t like most stories, that simply say “Here’s how it is and this is what happened”. It truly invites the reader into the thought processes of the characters and puts him or her into a position where they have to try to figure it out on their own. The questions raised and the scenarios laid out are such that we really have to think about them—just reading the story isn’t enough. What inspired you to write the story this way, and how did you go about making it work without bogging down the plot?

BH:  One aspect of writing in the first person is that the story is framed by what the character sees and hears.  Just as the narrator has to try to make sense of competing claims and explanations, the reader also has to puzzle things out along with her.  It is a shared journey. 

      I am more a reader of travel and exploration than of fiction.  One thing that I don’t like about fiction is that many writers go on and on about what the character is thinking.  This goes against my grain.  Wouldn’t it be more creative to let you infer what the character is thinking by what she says and how she acts?  In the case of Sybil Hardenbergh, I conceive of her as being far too modest to spend pages and pages telling you what she thinks.  It would go against her character and how she looks at life.  Instead, I tried to imagine how she would tell her story to a close friend.  She would feel free to confide about some things, but still she would maintain a large degree of modesty and reticence.   This becomes especially tricky when she falls in love.  Of course she has obsessive thoughts about her beloved, but she is too shy to spend pages and pages telling you about this.  You mostly have to infer it from what she says and what she does.

MRP:  You explore a lot of hypothetical moral and ethical dilemmas in Perpetual Motion, especially when it comes to issues related to time travel and historical events connected to Christianity. What can you tell us about that?

BH:  I’m very glad you asked that question.  The moral and ethical dilemmas drive the story.  It is not just theoretical; it is a matter of who dies and who lives.  War is a very grim and dark presence.  I present these dilemmas, but I don’t actually resolve any of them.  It is up to the reader to decide what is right and what is moral.  Let me give an example.   In The Turn of the Screw, Henry James wrote a ghost story.  He intended it to be a ghost story and he himself believed in the literary existence of ghosts.  However, a skeptic could read the story and believe that the ghosts where just a delusion of the crazy narrator.  That would be a perfectly coherent reading and the skeptic would still enjoy the story just the same as a believer in ghosts would.  When I became an Episcopalian in 1983, I wrote a poem about an alchemist in which I used alchemy as a symbol for the spiritual world.  I wanted the reader to decide for himself if alchemy were true or bogus.  In Perpetual Motion, I presented a number of perspectives from the devout Protestant Hardenbergh family to the young aristocratic scientist Fritz to the iconoclastic mad genius Erasmus Gegenwart.  I could totally empathize with the strong religious faith that Antoinette Hardenbergh has and this helped me draw her as a character.  On the other hand, I wanted the reader to enjoy the book regardless of whether or not he shares the beliefs of one character or another.   Yes, there are a number of very serious religious and ethical issues raised, but they are all subservient to the story and I am not trying to dictate how the reader may react to these conflicts.

  

MRP:  There were several aspects of the story that were never really “nailed down,” leaving the readers to draw their own conclusions. Is there a sequel in the works?

BH:  Since this is a coming of age story, I ended it when Sybil showed by her words and actions that she has actually matured from a very impressionable and bewildered youngster into a decisive and brave young woman.  For me, that was the end of this cycle.  In order to provide a more complete picture, I could have carried this story through new adventures and even as far as Sybil’s death.  After all, it is not just Sybil’s story, it is the saga of her family.   I think a sequel would be very much in order and I have had some people urge me to write one.  What writer could resist that?  Even apart from a sequel, I think it would be fun to write a story about Sybil’s father Otto, how he met Antoinette and how he decided to travel 2000 years into the past.  But first I want to finish a different story I am working on, a piece of literary fiction.  When I started going to a writer’s group in my home town of Newfane, I told them that I would keep writing stories until one of them got published.  Now that that has happened, I think I will keep writing stories as long as readers tell me they enjoy them.  

MRP:  Well, in that case, allow me to join the ranks of those readers! There is precious little originality in the literary world these days, but what I’ve seen of your work is most definitely new and intriguing. Keep it up!

Also, thanks so much for taking the time to share with us about your work and your ideas as a writer. It’s always great to get a peek inside the mind of a fellow author.

You can check out Bruce's book, Perpetual Motion, for yourself here:

http://www.amazon.com/Perpetual-Motion-ebook/dp/B00C0Z5S3M/ref=sr_1_1?s=books&ie=UTF8&qid=1382647812&sr=1-1&keywords=perpetual+motion+bruce+hesselbach

Book Review: So Shines the Night - Plus an Interview with the Author!

Last fall I had the privilege of becoming part of author T.L. Higley's publicity team, The Caravan. (You can even see my name in the back of So Shines the Night, in the list of Tracy's Caravan members!) Tracy is an amazing author and I have been enjoying her work for years. I think what I love most about her novels is the way they make you feel like you've actually stepped back through time to whatever exotic location she has chosen - be it Egypt, Babylon, or in this case, Ephesus. When you finish reading one of her books, you feel like you've actually been there, breathed the dust of the streets, felt the sun on your face, and taken part in the story.
What reader doesn't want an experience like that? What writer doesn't want their work to have exactly the same effect on their readers?
So, in addition to today's book review, there's an extra special treat: an interview with Tracy herself! Hope you enjoy!

Author: Tracy L. Higley
Genre: Historical Fiction
Series: The Seven Wonders
Publisher: Thomas Nelson
Pages: 395

Shortly after losing her job as a private tutor for a nobleman's daughter, the multilingual Daria finds work at a school in Rhodes. The arrangement doesn't last long, however. When Daria stumbles into the rites of a group of sorcerers, she's forced to flee for her life. A spur-of-the-moment offer from businessman Lucas Christopoulos to come with him to Ephesus seems the only escape.
Once in Ephesus, though, Daria realizes that maybe this wasn't a good idea... at all. The sorcery that drove her from Rhodes is even more rampant in Ephesus. The city is riddled with tension between the sects of Artemis-worshipers and a new, trouble-making religious sect known as Christians. Lucas is haunted by demons and darkness of his own. For Daria, who balances her instinctive desire to help with the rationale of looking out for her own security, the chance to keep her distance from evil and danger might be lost.

Though I will admit it was not as spectacular as Shadow of Colossus/Isle of Shadows or Guardian of the Flame (in all fairness, those are both extremely tough acts to follow), So Shines the Night was an awesome read. The story and characters had so many layers, all of which contributed to the realness of the book.
I've read about the Ephesian sorcerers and their conflicts with the early Christians plenty of times, but reading this book helped bring that to life in ways I hadn't thought about before - the anger of those who profit from the sale of spells and charms, the defensiveness of those whose dark powers give them political sway. This book really pulled me into that conflict and helped me think about it in real-life ways, ways I hadn't looked at it before. How would I feel, were I there in the midst of it? How would I feel if someone I loved was on the opposite side of the conflict from me? What would it have been like, how hard must it have been, to see a man like Paul, with the power to cast out demons, compared to the powers of the sorcerers? Had I been an Ephesian in those days, which side might I have chosen? How would I decide which power to believe in?
You've just gotta love a book that provokes that kind of thought, those kinds of questions.
Real biblical characters featured prominently in fictional stories tend to make me nervous - mostly because I'm a perfectionist and the thought that they might not be represented accurately is just about more than I can handle - so the biblical characters in So Shines the Night, Paul and Timothy especially, put me a little bit on edge. But, that's just a personal issue that most other people probably don't struggle with as much as I do.
And the plot twist at the end... oh my. Never saw it coming. Almost didn't recover.
There was a scene or two in the book that almost ventured within the borders of sappy-ness (and if you've been following this blog for any length of time, you'll know how I feel about that), but it wasn't bad. And Tracy also stated in the Author's Note that for a change of pace she had woven some elements of old Gothic-era romance literature into the story, so it was at least somewhat deliberate. And on the whole, the effect that those elements created in within the dark setting of sorcery-ridden Ephesus was very tantalizing. As a writer, I absolutely love that kind of creative ingenuity and experimentation, so I guess I can swallow a semi-sappy scene or two... if I have to. ; )
Seriously, if you're looking for a unique and exciting read, pick up So Shines the Night.

And now, that extra-special treat I promised! As part of promoting the launch of So Shines the Night, Tracy gave members of her Caravan the opportunity to ask a few interview questions to share with our blog readers. So here they are!

Mary: What can you tell us about the challenges of interweaving actual historical events with fictional ones?

Tracy:

It’s actually quite fun!  The historical events give me sort of “anchor points” for the story and help me structure the plot. Then I fill in around them with all the fun fictional stuff. I really enjoy it when the place and time give me lots of history to work with.

 Mary: As a fellow writer I know that every story seems to have one character who just captures your heart. Was there a character like that in So Shines the Night, and if so, who was it?

Tracy:

I think I might have had a little crush on Timothy, if you must know.  And Lucas, well, sigh.  I just had to rescue him.

Mary: What advice would you give other writers who want to bring their story settings to life and leave their readers feeling like they've been there?

Tracy:

Research is key, of course. Don’t skimp. You will end up with more than you can use, but you never know when a particular detail you’ve found will breathe life into a scene, or inspire a major plot point. Second, take time for the sensory. When you think about and make sure the page shows all the colors and sounds, tastes and smells, textures and feeling of a place, it will start to come alive.

Thanks so much for taking the time to answer these questions, Tracy! And of course, thanks for writing yet another wonderful story for all of us!

Author Interview - H.A. Titus

Back once again, with one last interview with an author from the Avenir Eclectia anthology. Today we're talking with H.A. (Heather) Titus, whom I've been blessed to have as a personal friend, cohort, and co-author on multiple projects, for several years now.

HA: Hey Mary! Thanks for inviting me over to your cyberspace home. :)

MRP: You know you’re always welcome. ; ) Let’s get started: What first brought you to the world of Avenir Eclectia and got you interested in the project?

HA: I ran across it while browsing the Splashdown Books sites. I thought it sounded like a cool Christian version of the Star Wars universe set-up, where authors all worked together to create a really cool world. Plus, I have a tendency to be wordy, and when I saw that the preferred wordcount was below 400 words, I thought it would be cool to challenge myself.

MRP: What do you consider your unique 'trademark' as a writer, and how does that come through in your Avenir Eclectia stories?

HA: I'd say my unique trademark is bringing characters out of a dark past and into an at least semi-hopeful future. Even if I don't always showcase my beliefs, I always try to bring characters to a place of hope at the end of the story arc. A lot of that comes through Pieter's past as a smuggler/his future as a flight teacher, and the orphans' future in being able to have good jobs. With Reeder, it's in his fear of the supernatural forces that his brother is a part of, and how eventually overcomes that fear.

MRP: I've had so much fun watching you explore the unique way a smuggler and a group of orphans relate to each other. Can you tell us a bit about that (your inspiration, goals, etc.)?

HA: My inspiration for Pieter was, basically, I've always wanted to write a character that is a former smuggler. Cara was inspired by the other orphans I saw in the stories. I didn't intend for them to last for longer than two or three stories, but as I figured out more about them, their story kept expanding.

I really didn't have specific goals in mind as I started writing them. I have noticed, though, that Pieter especially has expanded as a character. He goes from bored, spoiled rich kid to infamous smuggler to flight school teacher. Teaching was the last thing he ever thought he would be doing, yet he finds the most satisfaction from it. (Of course, his story doesn't end with becoming a teacher...but if I said anything more, it would be a spoiler. Can't have that!) ;) So I think my goal with him is illustrating how satisfying a simple life can be.

MRP: What do you see as the biggest advantage of a multi-author project like Avenir Eclectia?

HA: The inspiration. I always joke that I should've worked for Pixar, because the team that works on a story together always meets every morning to bat ideas around. I work the best when I get a chance to brainstorm with other creative types, and I always come away from an AE story or discussion inspired to write, whether it be for Avenir Eclectia or on one of my own projects.

MRP: The biggest disadvantage or challenge?

HA: The continuity. It's like the old saying, "Too many cooks spoil the stew." Not that I'm saying that there could be too many people involved in Avenir Eclectia. But sometimes, with multiple people writing about the same locations, it can get a little off-kilter since everyone kind of has their own perspective on things. But so far I think everyone has done a really good job at working together to keep stuff consistent.

MRP: Do you have a favorite memory or experience from the Avenir Eclectia project so far?

HA: I really, really loved reading everything that Walt Staples wrote. He had a great wit and a talent that I envied. He was one of my favorite Avenir Eclectia authors and I really miss him.

Besides that, my next favorite memory would be seeing my first fiction piece published, and seeing the first book in print with my name on the cover.

MRP: Seeing my name on the cover was a big thrill for me too, and getting to share that exciting first with a close friend just made it that much cooler! 

Can you give us any kind of hint at where your story/character arc is going from here?

HA: Pieter, Cara, Cog, and Clock will be involved with some of the creepy-crawly happenings on Avenir. Reeder, my messenger in Zirconia, actually has a lot of his story plot to go, and his story will be tied into some of the demonic-plot storylines.

MRP: Thanks again for joining us, Heather! It's always fun talking to another author, especially one who shares interest in a project I've been blessed to be a part of. ; )

HA: Thanks for having me Mary! 

~*~*~*~*~*~*~*~*~*~*~*~*~

Well, that about wraps up the Avenir Eclectia interviews for me. It makes me kind of sad. But, work on the shared project continues with some exciting plans for the future, and of course, the first volume is available in print on Amazon at an amazing price. So if you haven't read it by now, you've got no excuse. : P

Have a great weekend, everybody!