Thanks so much for being here, Travis!
TP: My pleasure, Mary. :)
MRP:
What first brought you to the world of Avenir Eclectia and got you interested
in the project?
TP:
Grace Bridges, the creative mind behind AE, published my novel The Crystal
Portal before Avenir Eclectia kicked off. Afterward she announced the creation
of the site and invited her authors to join in. So at first, I wrote for AE as
a favor to her. But soon enough I got interested in the stories I was writing
for their own sake. I found the story universe interesting, too, especially
Grace's notion of "angels." Also I've always enjoyed reading short
stories and find them fun to write.
MRP:
What do you consider your unique 'trademark' as a writer, and how does that
come through in your Avenir Eclectia stories?
TP:
Uh, I don't really try to have a 'trademark.' I suppose I do though, since
everyone is different. I'm honestly not sure how that shows, though in
compiling the Avenir Eclectia anthology I noticed that my stories are often
paced more quickly than most others. And I like to have clear and dramatic
endings for each story (and I also seem to like starting sentences with
conjuctions...ahem...).
MRP:
Following the development of your character Ernsto Mons has been so intriguing.
Can you tell us a bit about that (your inspiration, goals, etc.)?
TP:
Getting acquainted with "Angels" as intelligent undersea
creatures inspired in me the question of "What if a human fell in love
with one of them?" I thought it would be ironic if the human that felt
that way were a bad man, not one given to love. To illustrate what kind of man
I created in Ernsto (which is a futuristic version of "Ernesto"),
please allow me to reproduce here my story "Pressure":
Ernsto slammed
his palm into the airlock emergency override switch, flattening the wide red
button, mechanical creaking erupting from the door hinges as it swung open, a
half-meter of water still in the lock, water pouring into the hallway as he
stepped out. The enforcer he’d paid off stood there, his mouth gaping open.
“Whadinell you doin’!” squeaked the man’s voice.
Ernsto glanced behind him. The angel was floundering in the draining water. The lip of the lock would keep all of it from leaving, so if it were just a matter of breathing water, he knew she’d be fine. But there was another problem—pressure. Her body was struggling to adapt between the deep ocean pressure she’d spent her whole life at and the one atmosphere of air pressure used by humans living in Zirconia—a near-vacuum from her point of view.
He’d brought her into the lock anyway. After all, the reward had been for an angel, “dead or alive.” He could ignore the waves of pain from her he could actually feel, but he found in some unexpected part of himself that he didn’t want to.
“Get me a pressure tank. Now,” he barked at the enforcer.
“You didn’t pay me for that!” The man’s blue eyes set deep into his piggish pink face widened into whites.
Ersto took three quick steps, still in his pressure suit, but his helmet off. The long knife on his belt he pulled and he held it to the man’s throat. “You will get me a pressure tank, or I will skin you alive.” His voice rasped in a whisper—he let the keen edge of the knife do all his shouting for him.
“Whadinell you doin’!” squeaked the man’s voice.
Ernsto glanced behind him. The angel was floundering in the draining water. The lip of the lock would keep all of it from leaving, so if it were just a matter of breathing water, he knew she’d be fine. But there was another problem—pressure. Her body was struggling to adapt between the deep ocean pressure she’d spent her whole life at and the one atmosphere of air pressure used by humans living in Zirconia—a near-vacuum from her point of view.
He’d brought her into the lock anyway. After all, the reward had been for an angel, “dead or alive.” He could ignore the waves of pain from her he could actually feel, but he found in some unexpected part of himself that he didn’t want to.
“Get me a pressure tank. Now,” he barked at the enforcer.
“You didn’t pay me for that!” The man’s blue eyes set deep into his piggish pink face widened into whites.
Ersto took three quick steps, still in his pressure suit, but his helmet off. The long knife on his belt he pulled and he held it to the man’s throat. “You will get me a pressure tank, or I will skin you alive.” His voice rasped in a whisper—he let the keen edge of the knife do all his shouting for him.
The enforcer
started to move. “Hurry back or I swear by the depths, I will find you.” The
man, sufficiently motivated, rushed off.
Ernsto slowly turned back toward the lock and dispassionately watched the angel flounder.
Ernsto slowly turned back toward the lock and dispassionately watched the angel flounder.
You
can clearly see in the story that Ernsto is violent and not what anyone would
consider a nice guy. Yet in the sentence, "He could ignore the waves of
pain from her...but he found in some unexpected part of himself that he didn't
want to" I began to create a change in him...a beginning of empathy for
her that eventually he will realize is love. Love brings him to a place where
he hates his old self and seeks to be something better.
MRP: You've done a fabulous job
arranging the order of the stories in the anthology. It has such a seamless
flow, and really lets readers learn about the world of Avenir Eclectia in a
natural, straightforward way. How did you go about accomplishing that? Was it a
difficult process?
TP: That's very kind of you to mention.
Of course I wouldn't have been able to do anything without great material from
the authors to work with!
How I did it exactly I explained in
some detail in an interview I did for Greg Mitchell. But to add something I didn't tell him, after I printed all the stories,
edited them, and physically arranged them in the order I wanted (I had a big
conference room table for that), I decided to make the longer story arcs the
backbone of the work. To my surprise I discovered that the Ernso story arc had
far more individual stories in it than any other story arc. So I planned to lay
out that set of stories first, at a rate of one story per four, with the idea
of filling it in with other stories between. Then I followed with my Elsa
stories. At the end I had planned to put the trio of story arcs I felt built up
to the best climax, which were Greg's, Joseph's, and Fred's tales. I looked at
other continuous story arcs to put in the gap between my tales in the beginning
and the trio at the end. Once I got that identified, I generally filled in the
spaces between the backbone stories by putting earlier stories first and later
ones later, but I always looked at which stories were near which other ones and
tried to put compatible ones together (and followed other rules, like not
putting two stories by the same author together and not putting two stories in
the same arc too far apart). By the way, your story "Joy" wound up
being number 2 simply because it fit well there--and also because it was a
really nice read and I felt it would help get the combined work off to a
good start. Thank you for your contribution!
MRP:
You're very welcome. Glad you enjoyed it! : ) What do you see as the biggest advantage of a multi-author project like Avenir
Eclectia?
TP:
Well, there always seems to be plenty of content. That's good for the
continuous smooth operation of the Avenir Eclectia site. Also it's great that
everyone explores different corners of the story world. The authors as a
collective whole think of things that no one individual author would come up
with.
MRP:
The biggest disadvantage or challenge?
TP:
I've felt that differing authors' concepts of how things work were at times
sharply incompatible with one another. For example, wizards described as
"scientists by another name" are not the same as wizards who can
casually perform actual magic like levitation. Money described as
"credits" are not the same as unmarked coins. These differences can
be worked out, but doing so takes effort and means sometimes redirecting story
ideas. I've actually tackled doing that to a degree, but have found that particular
aspect of things rather painful. Putting the stories in order was fun, but
trying to harmonize concepts within the stories was my least favorite part of
the editing I did, because I feel like suggesting changes in other people's
ideas makes me come across as the grinch-who-hates-my-story...
MRP:
We writers do tend to be a little over-sensitive about that. ; ) Do you have a favorite memory or experience from the Avenir Eclectia project so
far?
TP:
I remember deciding to put "Rejoicing in Hope" as the second-last
story and "Alive" as the last because these had some of the best
post-climatic resolutions. I violated my own rules doing that because these two
stories were far removed from the story arcs they came from. I worried that
putting them there might not work and felt nervous about it as I read through
the entire work in rearranged order for the first time. But when I got to that
ending about Jax, well, it brought tears to my eyes. It is SUCH an awesome
ending for the entire book! I'm so thankful to Kat for writing it. That moment
I realized how great the ending turned out is definitely my favorite memory of
this project.
MRP: I remember getting goosebumps when I read the last story during the proofreading process! It really brought the anthology to a beautiful conclusion. Can you give us any kind of hint at where your story/character arc is going
from here?
TP: I
intend to continue the Ernsto story arc to the point where he falls in love
again, this time with a woman others consider unlovable. For her sake and other
reasons I intend Ernsto to eventually become nearly the opposite of what he
used to be.
MRP:
I'm looking forward to reading about that! Thanks so much for chatting with us, Travis.
TP:
Aw, thank you, Mary. Any time.
~*~*~*~*~*~*~*~*~*~*~*~
Intrigued yet? You can read all 137 stories, plus pages of bonus material including illustrations and 'inside' information, available from Amazon for $5.98 in print, and $2.99 in Kindle format. And for a 12-lightyear voyage, I'd say that's pretty affordable fare. ; )
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