Showing posts with label Characters. Show all posts
Showing posts with label Characters. Show all posts

April 19, 2013

Characters in Costume Challenge - April Antagonists!



Time for the April edition of the Characters in Costume Challenge, started by Gillian Adams. This month's theme: April Antagonists!
I'll be honest - while I have been known to open my closet and ask things like "How can I go for a WWII-French-Resistance look today?" or "What outfit could I build around my Swedish motorcycle goggles?" or "Would it look too weird to put a bell-sleeved blouse with a leather trench coat?", it's not every day that I stare at my wardrobe and wonder "How can I look like an evil villain today?"
So this months' challenge was particularly fun and... well, challenging. I actually went for a villainess look, as you're about to see. ; )


This is Meliqa Vaesh, (pronounced MEL-ih-kuh vay-ESH), the villainess of books 2 and 3 of the Adelfian Prophecies Series (the sequels to Son of the Shield).
 

Despite her young age (19), Meliqa is the most powerful sorceress the country of Moritar has seen in almost two centuries - since before the Adelfian purge that nearly wiped out the entire order of sorcerers. She is now considered the last and greatest hope of the Moritarc people and nation, to regain their independence and reassert themselves as a force to be reckoned with.


Being as volatile as she is powerful makes her dangerous enough. But her abilities to lure, charm, deceive, and manipulate make her even more deadly.
Her powers of sorcery leave her with little use for physical weapons in most cases. (Why bother with carrying a sword when you can kill someone just by holding out your hand?) When she comes up against the Adelfian believers, though, who are protected from sorcery by the power of the Shield who indwells them, she resorts to a pair of butterfly swords. Unfortunately, I don't have a pair I could use for pictures.


Whatever you do, don't let her lure you in.
Do. Not. Believe. Her.


March 26, 2013

Favorite Archers in Fiction

If you've been paying attention, you've probably noticed that archers seem to be becoming more and more popular in the entertainment industry lately. While some of the bow-wielding characters popular today are long-lasting favorites, such as Robin Hood, new ones are popping up every time we turn around, it seems.
So just for fun, I thought I'd dedicate a blog post to featuring the most popular archers of our time.

Legolas Greenleaf, of Mirkwood, Middle Earth.

Hawkeye, of the Avengers - a.k.a. Agent Barton of S.H.I.E.L.D.

Katniss Everdeen, of District 12, Panem.

Kili, of Erebor, Middle Earth

Merida, first-born of Clan Dunbroch, Scotland

Robin Hood, of Sherwood Forest, Nottingham. (Since there are so many different representations of him I just picked a picture of my favorite one. Yes, the Disney cartoon is my favorite version.)

Susan Pevensie, of Finchley - a.k.a. Queen Susan the Gentle, of Narnia

It's hard to say what has made archers so popular in entertainment... maybe boredom with guns, admiration for the skill required for archery, a hankering for something unique. Who knows? But I, for one, don't mind the trend at all. I like the variety it brings to books and movies. And let's face it: there's just something way too cool about a character with a bow in his or her hand, and a quiver of arrows on his or her back - whether it's a medieval-style weapon like Merida's, an elf-made weapon like Legolas', or a high-tech mechanized weapon like Hawkeye's.

Do you have a favorite archer character?

March 8, 2013

Character Costume Challenge: 'Object' Edition

It's that time again, and I'm so excited to be getting to participate in Gillian Adams' Characters in Costume Challenge! I was so excited when she announced last month that she was making it a monthly event!
This month's specification was an object - something your character carries or values or always has with them. So I decided I would feature my character Alice Ewing's necklace.

Alice Ewing is a seventeen-year-old girl who lives in the United States during the Great Depression/Dustbowl era. After the deaths of both her parents, Alice finds herself homeless and is forced to join her drifter half-brother, Frederick, as he rides the rails in search of work.

Alice wears her necklace all the time, and everywhere she goes. It never comes off. It consists of a simple, plain chain, on which she carries a whole host of different trinkets and small useful items. Some of the items come and go as the need arises, but some of them are there all the time.
The key is to the house Alice and her parents lived in. After her parents died and Alice was evicted, she took the key with her - it's the last piece she has of the home she loved.
The ring belonged to her mother, but in the impoverished world Alice lives in, it's not safe to draw attention by wearing it on her hand, so she carries it on a necklace under her shirt, out of sight.
The pocket watch belonged to her father, and was given to him by his father.
The little wheel/gear thing is just one of those items that Alice has picked up along the way. While it could serve a useful purpose - as a spare button, for instance - collecting little items like that has sort of become a habit with Alice. She just picks things up and puts them on her necklace, just because.

"It's a hard life on the roads and the rails. And the world isn't kind."  ~ Frederick

 
"When the world forces you out of the home and the life you've always known, I guess you just have to carry whatever pieces you can with you. And then - maybe - the home that's still in your heart will come to live in those little pieces, so that sooner or later you're carrying your whole home in those little pieces. It's a nice thought, anyway."   ~from Alice's journal

February 8, 2013

Character Costume Challenge - Orienne Seritan

For this 'edition' of the Character Costume Challenge (started by Gillian Adams on her blog), I decided to dress as Orienne Seritan, the leading lady from my first novel, Son of the Shield.
Orienne is a twenty-four-year-old Adelfian woman whose older brother, Allegar, is one of the six highest-ranking leaders in the nation. Allegar has been her only family since an epidemic claimed both of their parents years before, and Orienne travels with him everywhere he goes. Since this prevents her holding down a normal job, she volunteers at healers' wards (hospitals) wherever they're staying, and serves the Adelfian government and military in a diplomatic capacity when needed.
Orienne is a tough girl who can get down and dirty if she has to, but she much prefers peace and quiet. Her greatest dream is for the war between Adelfia and Moritar to end, and to settle down and start a family of her own.
She has dark brown hair, by the way, so just pretend my blond hair is brown. ; )
Orienne's shield pendant - a gift from her brother, that she wears everywhere, every day.
Normal Adelfian attire for a woman usually consists of a plain shirt with any of several variations of vest or overshirt on over it, and a garment the Adelfians call 'larrons' - basically a pair of pants with some kind of overskirt over it. There are plenty of styles and variations of these too; with the practicality of pants and the femininity of skirts rolled together, they help make any outfit both serviceable and tasteful.
"A lone mountain rose sharply from the center of the Basin, towering above everything for miles... And covering [its] slopes was Farindel. The tarekstone walls of the city's structures reflected the sunset's light, making Farindel look like a shining mounting or ivory." (from Son of the Shield)
 
I know, I know, but I just couldn't resist the temptation to replace the cows and bale rings I was actually looking at with at least a rough representation of Farindel (the capital city of Adelfia). The artwork I used for the background is not mine. I have no idea who the original artist is, but no copyright infringement is intended.
A mud-covered, purple-eyed Orienne after a very long and strenuous several days of being dragged through the mountains, fighting and running for her life, and experiencing crushing heartbreak. (Yeah... I'm not really nice to my characters.)
Orienne in much better circumstances, clean, rested, and happy. You might also notice that her eyes are now green. That's because the color of her eyes changes according to the emotion she's experiencing. There are seven basic colors that they turn, with variations and fluctuations depending on the circumstances. After all, whose emotions are ever completely clear-cut and unmixed? : P
For formal or special occasions, larrons get traded in for actual skirts or dresses. ; )
This is my representation of the outfit Orienne wears in one of the last scenes of the book - a huge, once-in-a-lifetime ceremony that she and the other main characters all get to take part in. By this time she's been through a lot physically, emotionally, and spiritually. It's been a rough journey, and she knows she will never again be the person she was before the journey began, but she's okay with that. She knows that the Shield is using every one of the events that have taken place for His glory, and she's coming to a place of accepting whatever she has to face as part of His plan... including the one last, daunting task still awaiting her completion in the very last scene of the book.

*

Well, that about wraps it up for this round of the Character Costume Challenge!
Very special thanks to my brother Caleb for hiking all over the place with me and taking all the pictures. You did an awesome job, bro!
Thanks once again to Gillian Adams, who is the reason we have the CCC in the first place.
And of course, thanks to all you loyal blog followers. I hope you've enjoyed this little look at a character I've spent so much time with over the last six years. (Yep, I said six! This month marks the sixth anniversary of the very first idea I had for Son of the Shield. Man, that's hard to believe!)
I had a ton of fun doing this, and I'm already looking forward to the next edition of the Character Costume Challenge!

Until next time,
Mary

February 5, 2013

February Character Costume Challenge!

Most of you probably remember the Character Costume Challenge that Gillian Adams put on and that I participated in back in October. If not, you missed out on a lot of fun! (And if you'd like, you can Click Here to see my character costumes.)
Well, Gillian has now decided to make the Character Costume Challenge a monthly event, and the next one is February 8th!

I had so much fun with the October challenge, so I'm definitely going to be taking part in this one too.
And those of you who've been listening to me talk about my first novel, Son of the Shield, ought to be happy about this one: I'm dressing as Orienne Seritan, the leading lady from SotS! The pictures will go up Friday morning, so be sure to check in! ; )

If you'd like to participate too - even if you're not a writer - then Click Here for the full details.
Hope to see your costumes on Friday!

Until next time.
~Mary

August 21, 2012

Rethinking the Concept of Platform as Christian Writers

Writers, ever feel overwhelmed or confused or just plain lost when it comes to trying to build that mystical 'Platform' the experts are always telling us we need? Me too.

Yesterday I started reading a book called The Narnian: the Life and Imagination of C.S. Lewis, by Alan Jacobs. I'm only on Chapter 2, but so far it's amazing and I suspect you'll be hearing much more about it before I'm finished.
But while I was still reading the Introduction, something jumped out at me and really made me stop and think. The author, Jacobs, was talking about the "mixed bag" of material that C.S. Lewis wrote - science fiction, fantasy, literary history, literary criticism, apologetics, and theology.
For any author today - being hounded from every side by 'experts' to stick with a single theme and build a solid platform on that theme and whatever you do, don't step outside that theme - a repertoire like Lewis' looks like a big no-no.
But, as both Jacobs and Lewis point out, throughout all of Lewis' work "there is a guiding thread" (Lewis' words, quoted by Jacobs). That guiding thread is, at least in part, Lewis' desire to simply do what needs to be done and say what needs to be said. He became a novelist because no one wrote what he wanted to read, so he did it himself. He wrote a defense of John Milton's poetry simply because he cared about Milton's poetry. He defended and argued for and promoted Christianity because he was convinced of its truthfulness. He simply said what he felt God wanted him to say. Every time I read something by C.S. Lewis, whether for the first time or the fiftieth, I find connections to his other works - whether it's finding a connection between Mere Christianity and The Lion, the Witch, and the Wardrobe, or between The Silver Chair and a deep Biblical truth, that 'guiding thread' is everywhere.

What can we take away from this? Writers, I'm guessing most of you wouldn't want to face the challenge of trying to create a platform, according to today's guidelines, that encompassed all of C.S. Lewis' work to the experts' satisfaction. It would be murder! According to today's guidelines, Lewis didn't really have a platform. All he had was that guiding thread, that need to say what God had given him to say. When his message could be said best through a theological treatise, a theological treatise was what he wrote. When his message could be said best through a children's fantasy story, a children's fantasy story was what he wrote.
Writers, I know what the 'experts' say. I've heard it too. Platform, platform, platform. But what if our concept of platform became less about the genre/sub-genre/story-type we write, and more about just saying what God has given us to say in whatever way is best to say it?
Interestingly enough, literary agent and expert Rachelle Gardner has a post on her blog today that expresses a very similar idea. Click Here to read it. She encourages writers to write what they know - not just about experiences or circumstances they're familiar with, but about truths they know in their hearts. Isn't that what Christian writers are supposed to be doing anyway? Maybe God is trying to tell this generation of writers something.
Man-made rules and molds and cookie cutters were made to be broken (or stabbed by a spiky shoe). Let's not let them scare us into trying to confine our work inside a pre-made box. Instead, let's start looking for that guiding thread.

Do you struggle with the concept of platform as a writer? Do you know what your guiding thread is? How do you approach this issue? Feel free to share in the comments box.

January 27, 2012

Conversation with Mary and Maricossa

Hey everyone! H.A. Titus, a dear friend of mine, as well as one of my co-authors on Falls the Shadow, has graciously allowed me to be a guest on her blog, Magical Ink. Originally she asked me to interview my character Maricossa from Falls the Shadow, but... well, Maricossa had other ideas. It ended up more along the lines of him interviewing me. He did come up with some great questions, though, about what it's like to live with fictional characters. I guess he would know, since he is a fictional character.
Anyway, if you'd like to read my conversation with Maricossa, click on over to Magical Ink for a visit. And if you have any additional questions for me or Maricossa, feel free to ask. : )

October 26, 2011

Modesty in Christian Fiction

One of my biggest pet peeves is the lack of modesty in Western culture. The American culture has thrown modesty to the wind completely, and even a heartbreaking number of professing Christians have either ignored the issue or interpreted it so loosely that their definition and execution of it don't come close to the actual, Biblical meaning. This saddens and, honestly, infuriates me. I take every opportunity I can to talk to people about it, and I'm also going to take this opportunity to talk about the issue of modesty as it applies to Christian fiction.
When it comes to modesty, books have the advantage over movies in that a much greater amount of description and detail is left up to the reader's imagination. If a writer doesn't really describe a character's outfit in any way that applies to modesty, the reader's interpretation is going to be left up to their mindset. If they are inclined to envision a character as being dressed modestly, that's how they will see it, and vice versa.
I have never read a book in which the author took a great deal of time or effort to describe just exactly how high a character's collar was, or how far down their leg their skirt came, and I don't think it's really necessary to do so. The instances in fiction where modesty becomes a legitimate issue, and the instances I want to focus on in this post, are more in regard to modest behavior on the part of characters.

First off: Regarding male characters taking off their shirts.
Here's the deal (and this goes for guys and girls alike): If your shirt is on fire, or has just been splashed with corrosive chemicals, or infested with fire ants, then by all means take it off as quickly as possible and you will not hear one peep of protest from me. Under those circumstances, I'll even help you get it off.
However, the circumstances had better be pretty convincing, and if it happens more than once in a story, I'm going to start getting very suspicious very quickly. I have lived on a farm for twenty-three years, working with animals large and small, domestic and wild, heavy equipment, pesticides, and herbicides, I've been involved in multiple car accidents, and never once in all that time have I been faced with the sudden desperate need to take my shirt off. So it's not like these things just happen at the drop of a hat.
Now, I'm not saying the legitimate need never arises. When my cousin fell and landed in a giant hill of fire ants, that was a legitimate need. When my dad accidentally doused my brother with diesel, that was a legitimate need. It does happen, and those circumstances don't bother me.
What bothers me is when authors almost seem to be seeking out reasons for their male characters (and 99% of the time it just happens to be the main guy character whom the main girl character is falling in love with) to take their shirts off. I guess a lot of Christian authors really want to show that for some reason (probably in a crippled effort to make their fiction appealing and mainstream, but I really don't know), but because it's Christian fiction, they feel like they have to have some 'acceptable' excuse for doing it. In my opinion, those authors are missing the point of how and why Christian fiction is supposed to be fundamentally different from secular. And don't think the readers won't see through it, because they will.
This applies to a lot of 'exceptional' circumstances I've seen in fiction - circumstances where it was painfully obvious that the author was just aching for some excuse to push the line under the guise of 'an exceptional circumstance that couldn't be helped'. Those circumstances always seem to conveniently end up with the highly buff guy character ending up shirtless or the gorgeous girl character ending up in some weird corset-type thing that conveniently happens to showcase her figure perfectly. And it never seems to happen when a character is alone, it always happens in front of other people. It bugs me, and it doesn't make me inclined to like the author.
Am I saying guys should never have their shirts off for any reason in fiction, or that there aren't genuine, realistic circumstances in which a serious wardrobe malfunction or breakdown might occur? Of course not.
Injuries represent scenarios in which there's simply no way to get around a bit of immodesty. In speculative fiction, especially fantasy, severe injuries are a relatively common occurrence, and I can tell you that it's impossible to treat a life-threatening wound without removing some clothing. It's not a big deal, so don't waste time and effort worrying about it or dwelling on it. Just say what needs to be said and move on. It's that simple.

The second big issue I wanted to discuss is dealing with characters who simply don't dress modestly, period. After all, every character in Christian fiction doesn't necessarily conform to Christian standards of behavior and dress, and those characters love to cause problems for their authors as well as their fellow characters. So how do we as writers deal with those characters and their skanky behavior while still holding to a high standard for clean content?
In my current WIP, I have a character who absolutely does not conform to any kind of Christian standard whatsoever, be it in dress or behavior. There's even a scene in the book where she has changed out of her military uniform into civilian dress and is primping in front of the mirror while contemplating how to enlist the help of one of the male characters for the plot she wants to set in motion. Suffice it to say that the dress she's wearing is part of how she plans to coerce him.
So here's a problematic situation. How do I deliver this significant but nonetheless distasteful plot point in a way that's clean and Christ-honoring? Here's how I did it:

"[She] turned sideways to the mirror, smoothing the front of her dress and examining her reflection. The green-gray silk was fitted and flattering, its floor-length skirt giving her the appearance of being taller than she actually was, and the color nicely complimenting her dark red hair and fair skin. The created effect was perfect: far from attention-grabbing, but far enough removed from the rigid convention of her uniform to provide a distraction for anyone even slightly willing to be distracted."

And then I move on with the story. Everything the reader needs to know is right there: the basic concept of the dress's appearance and style, and the character's attitude and purpose in wearing it. I didn't go into vivid, freaky detail, but the readers still (hopefully) get the idea pretty clearly. The power of suggestion plays a significant role in it too, by showing and suggesting just enough to the reader to let them put the pieces together on their own without you having to paint the whole picture.

Really, handling the modesty issue in Christian fiction isn't complicated. It takes some thought and situational awareness, but it's not horrendously difficult. Just remember: don't over-think or over-complicate something that's relatively simple, don't feel like you have to go all or none (either avoiding the subject completely or diving into all the gruesome detail), and don't feel like you have to include something you're uncomfortable with just to make your novel 'appealing' or mainstream.

October 10, 2011

Face to Face

As writers, we see and know our characters as clearly as if they're real people. We know what makes them laugh, what makes them angry, we know what their voices sound like, and we know what they look like.
As readers, if a writer has done a good job developing the characters in a story, we know much of the same information about their characters.
But have you ever noticed that characters don't always stay inside the story where we first met them?
On multiple occasions, I've seen a movie or read a book and thought that a particular character was just like a character from another story or movie. Sometimes, I've read about a fictional character who was just like someone I know in real life.
A few times, I've written a character... and then met them in real life.
The first time it happened, it really scared me. I mean it really, really gave me a serious case of goosebumps. I was at an open house party and met a young woman who was an absolute dead-ringer for one of my characters, and I thought 'Oh my goodness, this cannot be happening! This is terrible!'
You're probably thinking that that's kind of a strange reaction to have. In my defense, the character the woman looked like happened to be an extremely evil and terrifying sorceress. So I think I deserve a break on that one. (And, as it turned out, the lady at the open house party was neither extremely evil nor a sorceress, so it was all okay in the end.)
A few years after that, I met a man who reminded me very strongly of someone, but I couldn't think of who. I was just sure I knew him from somewhere, though. Then it dawned on me that he looked just like a character from a story idea I have on the back burner, waiting for me to get to it and write it. I dug out the notebook where I have the story idea written down and re-read the physical description of that particular character. It fit this guy to a tee. And the more I got to know him, the more and more he reminded me of my character's personality.
I catch glimpses of my other characters from time to time--singing in a choir during a televised concert, ringing little bells outside Wal-Mart at Christmas time, jogging down the sidewalk, or selling books at a home schooling convention.
There's something magical about that moment. We writers carry so many different people inside of us, and even though we know they're fictional they seem real, they feel real, they are real--to us, if not to anyone else. When we suddenly stumble upon one of them face to face, in the real world, I don't think there's any way to avoid feeling a connection to them. Our minds start screaming 'Hey, that's _____! She's right there, for real! Go talk to her!' And then we have to remind ourselves that it's not really our character--which isn't always an easy thing to do.
I know I've had to fight off the urge to whip out my notebook and start bombarding a total stranger with questions about their deepest desires and secret motivations or why they refuse to get their act together and do what needs to be done. I admit it, I've shamelessly come up with excuses to strike up conversation with someone who looks like one of my characters. I might have even dropped a casual question or two... just in case.

What about you? Have you ever met or seen any of your fictional characters face to face? How did you react to it?